SILVER the missing children and other stories

“My mother called me Silver. I was born part precious metal, part pirate.”*
What if silver is the color of dancing?
What if dancing is nothing but a child, silver coated and unlawfully reproduced?
One hundred silver coats spread out on the floor. Nothing extraordinary happens, other than a slow lingering of perception. Most of the time the children are waiting. And listening, not clear from where or to what. Once in a while, the coats dance a finely tuned uncertainty. Are they frogs in a pond? Strangers with their nervous system hanging outside? Or empty shells, filled with other stories? Either way, we see them and cannot not be moved.
SILVER indulge the distorted rearranged, and the mild sentiment of a silver coated tune. The room comes alive, sight surrenders.
*Opening line of the novel Lighthousekeeping by Jeanette Winterson
choreography Cristina Caprioli with the performers Rebecka Berchtold, Karin Bergman, Jim De Block, Molly Engblom, Annika Hyvärinen, Oskar Landström, pavleheidler, Sigrid Sjöholm, Kristiina Viiala, Miranda Wallmon, plus Louise Dahl (December 3 and 4) and Hana Erdman (December 6 – 11)
lights and technique Ali Hazara, Thomas Zamolo
music asher tuil: partly framed in sunlight, the blue gently linked, plastic dusk from the album the depths, the colors, the objects and the silence, and i, ii, iii from the album affordances
photography Masha Taavoniku, Thomas Zamolo
ccap team Anna Grip, Masha Taavoniku, Anne Vigeland
films Clouds (from 2alike 2018), Ghostships
film and photo Cristina Caprioli
edit Madeleine Lindh (from the here here project 2013)
closure film Mateusz Herczka (2001) now to music by Jean-Philip Rameau, Castor et Pollux, RCT 32, Acte I, Scène III: Prélude – Air accompagné ‘Tristes apprets’, recorded by The Sound of Light, MusicAeterna Orchestra & Choir, conductor Teodor Currentzis, sopran Nadine Koutcher
performed November 29 to December 11, 2022, as part of the exhibition Mother Courage and Her Children at Accelerator in Stockholm

